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Drake Would You Like A Tour
Creative Direction from Willo Perron,Art Direction from Jesse Lee Stout.

As Designer & Animator, I created some initial concert visual concepts for Drake’s tour. The concept was a visual narrative taking place in different locations for each song. My task was to treat and composite shot footage. We also experimented with projecting animated lines on an actress, and glitch/melting effects.Drake Would You Like A Tour
Creative Direction from Willo Perron,Art Direction from Jesse Lee Stout.

As Designer & Animator, I created some initial concert visual concepts for Drake’s tour. The concept was a visual narrative taking place in different locations for each song. My task was to treat and composite shot footage. We also experimented with projecting animated lines on an actress, and glitch/melting effects.Drake Would You Like A Tour
Creative Direction from Willo Perron,Art Direction from Jesse Lee Stout.

As Designer & Animator, I created some initial concert visual concepts for Drake’s tour. The concept was a visual narrative taking place in different locations for each song. My task was to treat and composite shot footage. We also experimented with projecting animated lines on an actress, and glitch/melting effects.Drake Would You Like A Tour
Creative Direction from Willo Perron,Art Direction from Jesse Lee Stout.

As Designer & Animator, I created some initial concert visual concepts for Drake’s tour. The concept was a visual narrative taking place in different locations for each song. My task was to treat and composite shot footage. We also experimented with projecting animated lines on an actress, and glitch/melting effects.Drake Would You Like A Tour
Creative Direction from Willo Perron,Art Direction from Jesse Lee Stout.

As Designer & Animator, I created some initial concert visual concepts for Drake’s tour. The concept was a visual narrative taking place in different locations for each song. My task was to treat and composite shot footage. We also experimented with projecting animated lines on an actress, and glitch/melting effects.Drake Would You Like A Tour
Creative Direction from Willo Perron,Art Direction from Jesse Lee Stout.

As Designer & Animator, I created some initial concert visual concepts for Drake’s tour. The concept was a visual narrative taking place in different locations for each song. My task was to treat and composite shot footage. We also experimented with projecting animated lines on an actress, and glitch/melting effects.Drake Would You Like A Tour
Creative Direction from Willo Perron,Art Direction from Jesse Lee Stout.

As Designer & Animator, I created some initial concert visual concepts for Drake’s tour. The concept was a visual narrative taking place in different locations for each song. My task was to treat and composite shot footage. We also experimented with projecting animated lines on an actress, and glitch/melting effects.

Teenage Mutant Ninja TurtlesJuicy J, Wiz Khalifa, Ty Dolla $ign, ft. Kill The Noise & Madsonik “Shell Shocked” Lyric Video
Produced for Paramount Pictures, Atlantic Records.
As Art Director, I collaborated with the Directors of PizzaSlime, and Illustrator Baka,  to design and animate an official lyric video for “Shell Shocked” off the TMNT soundtrack. 
The creative brief was very open ended. We’re very familiar with all things pizza and ooze, so we pushed viewers deep into the PizzaSlime realm.
I helped conceptualize and execute their vision and aesthetic. Colliding the TMNT and PizzaSlime world into a post-motiongraphic art video experience.
Teenage Mutant Ninja TurtlesJuicy J, Wiz Khalifa, Ty Dolla $ign, ft. Kill The Noise & Madsonik “Shell Shocked” Lyric Video
Produced for Paramount Pictures, Atlantic Records.
As Art Director, I collaborated with the Directors of PizzaSlime, and Illustrator Baka,  to design and animate an official lyric video for “Shell Shocked” off the TMNT soundtrack. 
The creative brief was very open ended. We’re very familiar with all things pizza and ooze, so we pushed viewers deep into the PizzaSlime realm.
I helped conceptualize and execute their vision and aesthetic. Colliding the TMNT and PizzaSlime world into a post-motiongraphic art video experience.
Teenage Mutant Ninja TurtlesJuicy J, Wiz Khalifa, Ty Dolla $ign, ft. Kill The Noise & Madsonik “Shell Shocked” Lyric Video
Produced for Paramount Pictures, Atlantic Records.
As Art Director, I collaborated with the Directors of PizzaSlime, and Illustrator Baka,  to design and animate an official lyric video for “Shell Shocked” off the TMNT soundtrack. 
The creative brief was very open ended. We’re very familiar with all things pizza and ooze, so we pushed viewers deep into the PizzaSlime realm.
I helped conceptualize and execute their vision and aesthetic. Colliding the TMNT and PizzaSlime world into a post-motiongraphic art video experience.
Teenage Mutant Ninja TurtlesJuicy J, Wiz Khalifa, Ty Dolla $ign, ft. Kill The Noise & Madsonik “Shell Shocked” Lyric Video
Produced for Paramount Pictures, Atlantic Records.
As Art Director, I collaborated with the Directors of PizzaSlime, and Illustrator Baka,  to design and animate an official lyric video for “Shell Shocked” off the TMNT soundtrack. 
The creative brief was very open ended. We’re very familiar with all things pizza and ooze, so we pushed viewers deep into the PizzaSlime realm.
I helped conceptualize and execute their vision and aesthetic. Colliding the TMNT and PizzaSlime world into a post-motiongraphic art video experience.
Teenage Mutant Ninja TurtlesJuicy J, Wiz Khalifa, Ty Dolla $ign, ft. Kill The Noise & Madsonik “Shell Shocked” Lyric Video
Produced for Paramount Pictures, Atlantic Records.
As Art Director, I collaborated with the Directors of PizzaSlime, and Illustrator Baka,  to design and animate an official lyric video for “Shell Shocked” off the TMNT soundtrack. 
The creative brief was very open ended. We’re very familiar with all things pizza and ooze, so we pushed viewers deep into the PizzaSlime realm.
I helped conceptualize and execute their vision and aesthetic. Colliding the TMNT and PizzaSlime world into a post-motiongraphic art video experience.
Teenage Mutant Ninja TurtlesJuicy J, Wiz Khalifa, Ty Dolla $ign, ft. Kill The Noise & Madsonik “Shell Shocked” Lyric Video
Produced for Paramount Pictures, Atlantic Records.
As Art Director, I collaborated with the Directors of PizzaSlime, and Illustrator Baka,  to design and animate an official lyric video for “Shell Shocked” off the TMNT soundtrack. 
The creative brief was very open ended. We’re very familiar with all things pizza and ooze, so we pushed viewers deep into the PizzaSlime realm.
I helped conceptualize and execute their vision and aesthetic. Colliding the TMNT and PizzaSlime world into a post-motiongraphic art video experience.
Teenage Mutant Ninja TurtlesJuicy J, Wiz Khalifa, Ty Dolla $ign, ft. Kill The Noise & Madsonik “Shell Shocked” Lyric Video
Produced for Paramount Pictures, Atlantic Records.
As Art Director, I collaborated with the Directors of PizzaSlime, and Illustrator Baka,  to design and animate an official lyric video for “Shell Shocked” off the TMNT soundtrack. 
The creative brief was very open ended. We’re very familiar with all things pizza and ooze, so we pushed viewers deep into the PizzaSlime realm.
I helped conceptualize and execute their vision and aesthetic. Colliding the TMNT and PizzaSlime world into a post-motiongraphic art video experience.
Teenage Mutant Ninja TurtlesJuicy J, Wiz Khalifa, Ty Dolla $ign, ft. Kill The Noise & Madsonik “Shell Shocked” Lyric Video
Produced for Paramount Pictures, Atlantic Records.
As Art Director, I collaborated with the Directors of PizzaSlime, and Illustrator Baka,  to design and animate an official lyric video for “Shell Shocked” off the TMNT soundtrack. 
The creative brief was very open ended. We’re very familiar with all things pizza and ooze, so we pushed viewers deep into the PizzaSlime realm.
I helped conceptualize and execute their vision and aesthetic. Colliding the TMNT and PizzaSlime world into a post-motiongraphic art video experience.
Teenage Mutant Ninja TurtlesJuicy J, Wiz Khalifa, Ty Dolla $ign, ft. Kill The Noise & Madsonik “Shell Shocked” Lyric Video
Produced for Paramount Pictures, Atlantic Records.
As Art Director, I collaborated with the Directors of PizzaSlime, and Illustrator Baka,  to design and animate an official lyric video for “Shell Shocked” off the TMNT soundtrack. 
The creative brief was very open ended. We’re very familiar with all things pizza and ooze, so we pushed viewers deep into the PizzaSlime realm.
I helped conceptualize and execute their vision and aesthetic. Colliding the TMNT and PizzaSlime world into a post-motiongraphic art video experience.
Chex Mix: Pick Your Mix
Produced at Woodshop,Creative Direction from Trevor Shepard.
The challenge of this project was to take inspiration from animated GIF loops, and create an end tag tiled with loopable animations, using a different flavored Chex piece per tile. 
As Designer, I joined the Woodshop team and created initial design explorations. I collaborated with Designer Michelle Pak and Designer Jordan Scott to develop the final lock up. We found a strong design solution, progressing the Chex Mix aesthetic within the brand guidelines, and giving each flavored piece a tile to live in.

View the animation here.

Check out the GIF animations here.Chex Mix: Pick Your Mix
Produced at Woodshop,Creative Direction from Trevor Shepard.
The challenge of this project was to take inspiration from animated GIF loops, and create an end tag tiled with loopable animations, using a different flavored Chex piece per tile. 
As Designer, I joined the Woodshop team and created initial design explorations. I collaborated with Designer Michelle Pak and Designer Jordan Scott to develop the final lock up. We found a strong design solution, progressing the Chex Mix aesthetic within the brand guidelines, and giving each flavored piece a tile to live in.

View the animation here.

Check out the GIF animations here.Chex Mix: Pick Your Mix
Produced at Woodshop,Creative Direction from Trevor Shepard.
The challenge of this project was to take inspiration from animated GIF loops, and create an end tag tiled with loopable animations, using a different flavored Chex piece per tile. 
As Designer, I joined the Woodshop team and created initial design explorations. I collaborated with Designer Michelle Pak and Designer Jordan Scott to develop the final lock up. We found a strong design solution, progressing the Chex Mix aesthetic within the brand guidelines, and giving each flavored piece a tile to live in.

View the animation here.

Check out the GIF animations here.Chex Mix: Pick Your Mix
Produced at Woodshop,Creative Direction from Trevor Shepard.
The challenge of this project was to take inspiration from animated GIF loops, and create an end tag tiled with loopable animations, using a different flavored Chex piece per tile. 
As Designer, I joined the Woodshop team and created initial design explorations. I collaborated with Designer Michelle Pak and Designer Jordan Scott to develop the final lock up. We found a strong design solution, progressing the Chex Mix aesthetic within the brand guidelines, and giving each flavored piece a tile to live in.

View the animation here.

Check out the GIF animations here.Chex Mix: Pick Your Mix
Produced at Woodshop,Creative Direction from Trevor Shepard.
The challenge of this project was to take inspiration from animated GIF loops, and create an end tag tiled with loopable animations, using a different flavored Chex piece per tile. 
As Designer, I joined the Woodshop team and created initial design explorations. I collaborated with Designer Michelle Pak and Designer Jordan Scott to develop the final lock up. We found a strong design solution, progressing the Chex Mix aesthetic within the brand guidelines, and giving each flavored piece a tile to live in.

View the animation here.

Check out the GIF animations here.
Beck - The 360° “Sound and Vision” Experience
Produced for Willo Perron & Associates, Art Direction from Jesse Lee Stout, with Concert Producer Antony Randall.
As Designer & Animator, I created some treated looks using footage from George Harrison’s  The Concert For Bangladesh, live performance of “Wah Wah”. Beck’s 360° Experience was a reimagining of David Bowie’s “Sound and Vision”, with over 160 diverse musicians configured around an audience for a full 360° experience. The live performance was captured with 360°  cameras and binaural microphones. The effects I created were applied to the musicians and visualized on a large circular screen behind them.

View the experience here.Beck - The 360° “Sound and Vision” Experience
Produced for Willo Perron & Associates, Art Direction from Jesse Lee Stout, with Concert Producer Antony Randall.
As Designer & Animator, I created some treated looks using footage from George Harrison’s  The Concert For Bangladesh, live performance of “Wah Wah”. Beck’s 360° Experience was a reimagining of David Bowie’s “Sound and Vision”, with over 160 diverse musicians configured around an audience for a full 360° experience. The live performance was captured with 360°  cameras and binaural microphones. The effects I created were applied to the musicians and visualized on a large circular screen behind them.

View the experience here.Beck - The 360° “Sound and Vision” Experience
Produced for Willo Perron & Associates, Art Direction from Jesse Lee Stout, with Concert Producer Antony Randall.
As Designer & Animator, I created some treated looks using footage from George Harrison’s  The Concert For Bangladesh, live performance of “Wah Wah”. Beck’s 360° Experience was a reimagining of David Bowie’s “Sound and Vision”, with over 160 diverse musicians configured around an audience for a full 360° experience. The live performance was captured with 360°  cameras and binaural microphones. The effects I created were applied to the musicians and visualized on a large circular screen behind them.

View the experience here.Beck - The 360° “Sound and Vision” Experience
Produced for Willo Perron & Associates, Art Direction from Jesse Lee Stout, with Concert Producer Antony Randall.
As Designer & Animator, I created some treated looks using footage from George Harrison’s  The Concert For Bangladesh, live performance of “Wah Wah”. Beck’s 360° Experience was a reimagining of David Bowie’s “Sound and Vision”, with over 160 diverse musicians configured around an audience for a full 360° experience. The live performance was captured with 360°  cameras and binaural microphones. The effects I created were applied to the musicians and visualized on a large circular screen behind them.

View the experience here.Beck - The 360° “Sound and Vision” Experience
Produced for Willo Perron & Associates, Art Direction from Jesse Lee Stout, with Concert Producer Antony Randall.
As Designer & Animator, I created some treated looks using footage from George Harrison’s  The Concert For Bangladesh, live performance of “Wah Wah”. Beck’s 360° Experience was a reimagining of David Bowie’s “Sound and Vision”, with over 160 diverse musicians configured around an audience for a full 360° experience. The live performance was captured with 360°  cameras and binaural microphones. The effects I created were applied to the musicians and visualized on a large circular screen behind them.

View the experience here.Beck - The 360° “Sound and Vision” Experience
Produced for Willo Perron & Associates, Art Direction from Jesse Lee Stout, with Concert Producer Antony Randall.
As Designer & Animator, I created some treated looks using footage from George Harrison’s  The Concert For Bangladesh, live performance of “Wah Wah”. Beck’s 360° Experience was a reimagining of David Bowie’s “Sound and Vision”, with over 160 diverse musicians configured around an audience for a full 360° experience. The live performance was captured with 360°  cameras and binaural microphones. The effects I created were applied to the musicians and visualized on a large circular screen behind them.

View the experience here.Beck - The 360° “Sound and Vision” Experience
Produced for Willo Perron & Associates, Art Direction from Jesse Lee Stout, with Concert Producer Antony Randall.
As Designer & Animator, I created some treated looks using footage from George Harrison’s  The Concert For Bangladesh, live performance of “Wah Wah”. Beck’s 360° Experience was a reimagining of David Bowie’s “Sound and Vision”, with over 160 diverse musicians configured around an audience for a full 360° experience. The live performance was captured with 360°  cameras and binaural microphones. The effects I created were applied to the musicians and visualized on a large circular screen behind them.

View the experience here.
Chevy Spark EV
Produced at Woodshop, for Agency Commonwealth.
The challenge for this pitch was to communicate the message of these web video spots without the use of a voiceover. 
As Designer, I created some design explorations that composed clean typography with graphic icons to emphasize quick readability. Establishing a style that keeps up with the fun quirky personality of the Spark EV, and maintaining a heroic presence throughout the spots.Chevy Spark EV
Produced at Woodshop, for Agency Commonwealth.
The challenge for this pitch was to communicate the message of these web video spots without the use of a voiceover. 
As Designer, I created some design explorations that composed clean typography with graphic icons to emphasize quick readability. Establishing a style that keeps up with the fun quirky personality of the Spark EV, and maintaining a heroic presence throughout the spots.Chevy Spark EV
Produced at Woodshop, for Agency Commonwealth.
The challenge for this pitch was to communicate the message of these web video spots without the use of a voiceover. 
As Designer, I created some design explorations that composed clean typography with graphic icons to emphasize quick readability. Establishing a style that keeps up with the fun quirky personality of the Spark EV, and maintaining a heroic presence throughout the spots.Chevy Spark EV
Produced at Woodshop, for Agency Commonwealth.
The challenge for this pitch was to communicate the message of these web video spots without the use of a voiceover. 
As Designer, I created some design explorations that composed clean typography with graphic icons to emphasize quick readability. Establishing a style that keeps up with the fun quirky personality of the Spark EV, and maintaining a heroic presence throughout the spots.Chevy Spark EV
Produced at Woodshop, for Agency Commonwealth.
The challenge for this pitch was to communicate the message of these web video spots without the use of a voiceover. 
As Designer, I created some design explorations that composed clean typography with graphic icons to emphasize quick readability. Establishing a style that keeps up with the fun quirky personality of the Spark EV, and maintaining a heroic presence throughout the spots.Chevy Spark EV
Produced at Woodshop, for Agency Commonwealth.
The challenge for this pitch was to communicate the message of these web video spots without the use of a voiceover. 
As Designer, I created some design explorations that composed clean typography with graphic icons to emphasize quick readability. Establishing a style that keeps up with the fun quirky personality of the Spark EV, and maintaining a heroic presence throughout the spots.Chevy Spark EV
Produced at Woodshop, for Agency Commonwealth.
The challenge for this pitch was to communicate the message of these web video spots without the use of a voiceover. 
As Designer, I created some design explorations that composed clean typography with graphic icons to emphasize quick readability. Establishing a style that keeps up with the fun quirky personality of the Spark EV, and maintaining a heroic presence throughout the spots.Chevy Spark EV
Produced at Woodshop, for Agency Commonwealth.
The challenge for this pitch was to communicate the message of these web video spots without the use of a voiceover. 
As Designer, I created some design explorations that composed clean typography with graphic icons to emphasize quick readability. Establishing a style that keeps up with the fun quirky personality of the Spark EV, and maintaining a heroic presence throughout the spots.Chevy Spark EV
Produced at Woodshop, for Agency Commonwealth.
The challenge for this pitch was to communicate the message of these web video spots without the use of a voiceover. 
As Designer, I created some design explorations that composed clean typography with graphic icons to emphasize quick readability. Establishing a style that keeps up with the fun quirky personality of the Spark EV, and maintaining a heroic presence throughout the spots.
NCR at NRF 2014
Produced for Visual Noise Creative, Creative Direction from Ethan Shaftel, with Lighting/Projection Director Trevor Burk.
NCR (National Cash Register) is global leader in consumer transaction technologies. NCR had a walk through booth with a large scale projection mapping design at the NRF Big Show 2014 (National Retail Federation), held at the Javits Center in NYC. Video content was projected on five different screens simultaneously, giving viewers an environmental motion graphic experience. 

As Designer & Animator, I helped create various infographics and type animations, and explored creative ways to use the large format.NCR at NRF 2014
Produced for Visual Noise Creative, Creative Direction from Ethan Shaftel, with Lighting/Projection Director Trevor Burk.
NCR (National Cash Register) is global leader in consumer transaction technologies. NCR had a walk through booth with a large scale projection mapping design at the NRF Big Show 2014 (National Retail Federation), held at the Javits Center in NYC. Video content was projected on five different screens simultaneously, giving viewers an environmental motion graphic experience. 

As Designer & Animator, I helped create various infographics and type animations, and explored creative ways to use the large format.NCR at NRF 2014
Produced for Visual Noise Creative, Creative Direction from Ethan Shaftel, with Lighting/Projection Director Trevor Burk.
NCR (National Cash Register) is global leader in consumer transaction technologies. NCR had a walk through booth with a large scale projection mapping design at the NRF Big Show 2014 (National Retail Federation), held at the Javits Center in NYC. Video content was projected on five different screens simultaneously, giving viewers an environmental motion graphic experience. 

As Designer & Animator, I helped create various infographics and type animations, and explored creative ways to use the large format.NCR at NRF 2014
Produced for Visual Noise Creative, Creative Direction from Ethan Shaftel, with Lighting/Projection Director Trevor Burk.
NCR (National Cash Register) is global leader in consumer transaction technologies. NCR had a walk through booth with a large scale projection mapping design at the NRF Big Show 2014 (National Retail Federation), held at the Javits Center in NYC. Video content was projected on five different screens simultaneously, giving viewers an environmental motion graphic experience. 

As Designer & Animator, I helped create various infographics and type animations, and explored creative ways to use the large format.NCR at NRF 2014
Produced for Visual Noise Creative, Creative Direction from Ethan Shaftel, with Lighting/Projection Director Trevor Burk.
NCR (National Cash Register) is global leader in consumer transaction technologies. NCR had a walk through booth with a large scale projection mapping design at the NRF Big Show 2014 (National Retail Federation), held at the Javits Center in NYC. Video content was projected on five different screens simultaneously, giving viewers an environmental motion graphic experience. 

As Designer & Animator, I helped create various infographics and type animations, and explored creative ways to use the large format.NCR at NRF 2014
Produced for Visual Noise Creative, Creative Direction from Ethan Shaftel, with Lighting/Projection Director Trevor Burk.
NCR (National Cash Register) is global leader in consumer transaction technologies. NCR had a walk through booth with a large scale projection mapping design at the NRF Big Show 2014 (National Retail Federation), held at the Javits Center in NYC. Video content was projected on five different screens simultaneously, giving viewers an environmental motion graphic experience. 

As Designer & Animator, I helped create various infographics and type animations, and explored creative ways to use the large format.
Ford F150 Campaign
Produced at King & Country, for Agency Team Detroit,Creative Direction from Efrain Montañez.
As Lead Designer, I developed the style and look for this 2011 Ford F150 Campaign. Our challenge was to evolve Ford’s iconic Rant Campaign by combining live action and design driven CG to reimagine a gritty hyper-real visual.
View spots here.Ford F150 Campaign
Produced at King & Country, for Agency Team Detroit,Creative Direction from Efrain Montañez.
As Lead Designer, I developed the style and look for this 2011 Ford F150 Campaign. Our challenge was to evolve Ford’s iconic Rant Campaign by combining live action and design driven CG to reimagine a gritty hyper-real visual.
View spots here.Ford F150 Campaign
Produced at King & Country, for Agency Team Detroit,Creative Direction from Efrain Montañez.
As Lead Designer, I developed the style and look for this 2011 Ford F150 Campaign. Our challenge was to evolve Ford’s iconic Rant Campaign by combining live action and design driven CG to reimagine a gritty hyper-real visual.
View spots here.Ford F150 Campaign
Produced at King & Country, for Agency Team Detroit,Creative Direction from Efrain Montañez.
As Lead Designer, I developed the style and look for this 2011 Ford F150 Campaign. Our challenge was to evolve Ford’s iconic Rant Campaign by combining live action and design driven CG to reimagine a gritty hyper-real visual.
View spots here.Ford F150 Campaign
Produced at King & Country, for Agency Team Detroit,Creative Direction from Efrain Montañez.
As Lead Designer, I developed the style and look for this 2011 Ford F150 Campaign. Our challenge was to evolve Ford’s iconic Rant Campaign by combining live action and design driven CG to reimagine a gritty hyper-real visual.
View spots here.Ford F150 Campaign
Produced at King & Country, for Agency Team Detroit,Creative Direction from Efrain Montañez.
As Lead Designer, I developed the style and look for this 2011 Ford F150 Campaign. Our challenge was to evolve Ford’s iconic Rant Campaign by combining live action and design driven CG to reimagine a gritty hyper-real visual.
View spots here.Ford F150 Campaign
Produced at King & Country, for Agency Team Detroit,Creative Direction from Efrain Montañez.
As Lead Designer, I developed the style and look for this 2011 Ford F150 Campaign. Our challenge was to evolve Ford’s iconic Rant Campaign by combining live action and design driven CG to reimagine a gritty hyper-real visual.
View spots here.
Ford F150 Pitch
Produced at King & Country,Creative Direction from Rick Gledhill.

As Designer, my task was to conceptualize a pitch for Ford’s F150 Rant Campaign. This direction imagines the new F150 through the engineers’ prospective. We took inspiration from panography to visualize the design process on a working engineer’s desk top.Ford F150 Pitch
Produced at King & Country,Creative Direction from Rick Gledhill.

As Designer, my task was to conceptualize a pitch for Ford’s F150 Rant Campaign. This direction imagines the new F150 through the engineers’ prospective. We took inspiration from panography to visualize the design process on a working engineer’s desk top.Ford F150 Pitch
Produced at King & Country,Creative Direction from Rick Gledhill.

As Designer, my task was to conceptualize a pitch for Ford’s F150 Rant Campaign. This direction imagines the new F150 through the engineers’ prospective. We took inspiration from panography to visualize the design process on a working engineer’s desk top.Ford F150 Pitch
Produced at King & Country,Creative Direction from Rick Gledhill.

As Designer, my task was to conceptualize a pitch for Ford’s F150 Rant Campaign. This direction imagines the new F150 through the engineers’ prospective. We took inspiration from panography to visualize the design process on a working engineer’s desk top.
Styled to Rock
Produced at Royale, Creative Direction from Brien Holman, Art Direction from Jonathan Kim.

As Designer, I pitched some looks for Bravo’s Styled to Rock, executive produced by Rihanna. The reality TV show features new fashion designers competing and designing for music celebrities. This direction brings the fashion runway world together with rockstar inspired stage lighting to give the show it’s own identity where “Fashion & Music Collide”. Styled to Rock
Produced at Royale, Creative Direction from Brien Holman, Art Direction from Jonathan Kim.

As Designer, I pitched some looks for Bravo’s Styled to Rock, executive produced by Rihanna. The reality TV show features new fashion designers competing and designing for music celebrities. This direction brings the fashion runway world together with rockstar inspired stage lighting to give the show it’s own identity where “Fashion & Music Collide”. Styled to Rock
Produced at Royale, Creative Direction from Brien Holman, Art Direction from Jonathan Kim.

As Designer, I pitched some looks for Bravo’s Styled to Rock, executive produced by Rihanna. The reality TV show features new fashion designers competing and designing for music celebrities. This direction brings the fashion runway world together with rockstar inspired stage lighting to give the show it’s own identity where “Fashion & Music Collide”. 
Sonic Extreme Breakfast
Produced at Woodshop, for Agency GSP, Creative Direction from Marcelo Patrella.
As Designer, I created some style frames for this Sonic campaign. This spot imagines a Sonic breakfast sandwich doing uber extreme ramp tricks in a skate park.

View spot here.Sonic Extreme Breakfast
Produced at Woodshop, for Agency GSP, Creative Direction from Marcelo Patrella.
As Designer, I created some style frames for this Sonic campaign. This spot imagines a Sonic breakfast sandwich doing uber extreme ramp tricks in a skate park.

View spot here.Sonic Extreme Breakfast
Produced at Woodshop, for Agency GSP, Creative Direction from Marcelo Patrella.
As Designer, I created some style frames for this Sonic campaign. This spot imagines a Sonic breakfast sandwich doing uber extreme ramp tricks in a skate park.

View spot here.Sonic Extreme Breakfast
Produced at Woodshop, for Agency GSP, Creative Direction from Marcelo Patrella.
As Designer, I created some style frames for this Sonic campaign. This spot imagines a Sonic breakfast sandwich doing uber extreme ramp tricks in a skate park.

View spot here.Sonic Extreme Breakfast
Produced at Woodshop, for Agency GSP, Creative Direction from Marcelo Patrella.
As Designer, I created some style frames for this Sonic campaign. This spot imagines a Sonic breakfast sandwich doing uber extreme ramp tricks in a skate park.

View spot here.Sonic Extreme Breakfast
Produced at Woodshop, for Agency GSP, Creative Direction from Marcelo Patrella.
As Designer, I created some style frames for this Sonic campaign. This spot imagines a Sonic breakfast sandwich doing uber extreme ramp tricks in a skate park.

View spot here.
History Channel: Vikings
Produced at King & Country, for Agency Saatchi & Saatchi NY, Creative Direction from Rick Gledhill.
As Designer, I joined the King & Country team for brand and logo explorations. I designed various typographic treatments, style frames, and mood boards.History Channel: Vikings
Produced at King & Country, for Agency Saatchi & Saatchi NY, Creative Direction from Rick Gledhill.
As Designer, I joined the King & Country team for brand and logo explorations. I designed various typographic treatments, style frames, and mood boards.History Channel: Vikings
Produced at King & Country, for Agency Saatchi & Saatchi NY, Creative Direction from Rick Gledhill.
As Designer, I joined the King & Country team for brand and logo explorations. I designed various typographic treatments, style frames, and mood boards.History Channel: Vikings
Produced at King & Country, for Agency Saatchi & Saatchi NY, Creative Direction from Rick Gledhill.
As Designer, I joined the King & Country team for brand and logo explorations. I designed various typographic treatments, style frames, and mood boards.History Channel: Vikings
Produced at King & Country, for Agency Saatchi & Saatchi NY, Creative Direction from Rick Gledhill.
As Designer, I joined the King & Country team for brand and logo explorations. I designed various typographic treatments, style frames, and mood boards.History Channel: Vikings
Produced at King & Country, for Agency Saatchi & Saatchi NY, Creative Direction from Rick Gledhill.
As Designer, I joined the King & Country team for brand and logo explorations. I designed various typographic treatments, style frames, and mood boards.History Channel: Vikings
Produced at King & Country, for Agency Saatchi & Saatchi NY, Creative Direction from Rick Gledhill.
As Designer, I joined the King & Country team for brand and logo explorations. I designed various typographic treatments, style frames, and mood boards.History Channel: Vikings
Produced at King & Country, for Agency Saatchi & Saatchi NY, Creative Direction from Rick Gledhill.
As Designer, I joined the King & Country team for brand and logo explorations. I designed various typographic treatments, style frames, and mood boards.History Channel: Vikings
Produced at King & Country, for Agency Saatchi & Saatchi NY, Creative Direction from Rick Gledhill.
As Designer, I joined the King & Country team for brand and logo explorations. I designed various typographic treatments, style frames, and mood boards.History Channel: Vikings
Produced at King & Country, for Agency Saatchi & Saatchi NY, Creative Direction from Rick Gledhill.
As Designer, I joined the King & Country team for brand and logo explorations. I designed various typographic treatments, style frames, and mood boards.